Celebrate the launch of this groundbreaking anthology with Carmel Bird, Cate Kennedy and Sarah Hart, in a panel chaired by Lorena Carrington, as they discuss fairy tales for grown-ups in contemporary Australia.
Goldfields Libraries officer Hayley West, authors Carmel Bird and Cate Kennedy and illustrator Lorena Carrington are looking forward to the July 3 event.
Little Red Riding Hood: A Discourse of Disciplinary Punishment by AFTS member Claudia Barnett can be read in the next issue of Gramarye -The Journal of the Chichester Centre for Fairy Tales, Fantasy and Speculative Fiction.
South of the Sun: Australian Fairy Tales for the 21st Century is an enchanting illustrated book of fairy tales – but not the kind you read to children at bedtime.
They are strictly for grown-ups. Often dark, the stories visit places where things don’t end happily ever after, where a single decision can haunt you forever.
But there are also tales to make you laugh out loud, stories of sweet revenge and scenes of sheer delight in the work of magic and the fey.
Discover stories from emerging talent and leading award-winning Australian writers including Carmel Bird, Sophie Masson, Cate Kennedy and Eugen Bacon, along with artwork from foremost illustrators such as Lorena Carrington and Kathleen Jennings.
So if you’re ready – once upon a time…
Pre-order South of the Sun from our partner publisher Serenity Press
We are made by the stories we are told and by the stories we tell. Reading this collection reveals that we are bold, funny and inventive. We are nourished by history, and face the future with poetry in our hearts. This is a triumph of an anthology that truly captures the 21st Australian Fairy Tale –
KATE FORSYTH, AUTHOR OF BITTER GREENS AND ACCREDITED MASTER STORYTELLER
Wicked and wise, amusing and unexpected. Fresh fairy tales from some of Australia’s finest voices, both established and new.
ANGELA SLATTER, AUTHOR OF THE WORLD FANTASY AWARD-WINNING THE BITTERWOOD BIBLE AND OTHER RECOUNTINGS
Reading South of the Sun feels like collecting shells or pebbles or feathers: the stories belong together but are strikingly individual. Here you will find the hilarious and the bittersweet, the poetic and the in-your-face brash, the historical, the contemporary and the futuristic. And each is brimful with magic. This anthology is a delight from start to finish.
JULIET MARILLIER, AUTHOR OF AWARD-WINNING BLACKTHORN & GRIM SERIES
Claudia Barnett, Lorena Carrington and Sophie Masson with host Eugen Bacon Friday 7 May 4.30pm-5.30pm Capital Theatre $20 / $16 concession
Who tells fairy stories? And who gets to listen? The tales handed down through the generations are worked and reworked by inventive writers and new stories are added to the store. What’s their lasting appeal and why have they been so necessary to different cultures? Eugen Bacon is joined by Claudia Barnett, Lorena Carrington and Sophie Masson to bring us up to date with the fairy world.
We are also delighted to be celebrating with these authors the publication of South of the Sun: Australian Fairy Tales for the 21st Century.
Sophie Masson and Eugen Bacon present additional sessions Sat and/or Sun, Rachel Nightingale joins Eugen, and Carmel Bird presents on Saturday night.
Join us to celebrate the official launch of South of the Sun: Australian Fairy Tales for the 21st Century.
Virtual launch party: Friday 2nd, Saturday 3rd and Sunday 4th of July 18:30 AEST
BYO: You bring the Fizzy and we will bring the Fairy Tales. You can join us on Zoom (link posted before the event on facebook) or watch live on Facebook
Three fey Celtic-Australian minstrels unite at the Autumn Equinox to bring you some of their most fairytale-ish songs. They hail from three States: Victoria, New South Wales and South Australia. Instruments on this album include flute, mandolin, accordion, charango, various guitars and harps, and of course bardic vocals, from folklorists honed in storytelling, mythology, poetry and Druidic / Pagan / Faery paths. Let these whimsical balladeers carry you through seas and groves of the Faery Lands.
In Tree Time, three Celtic-Australians wove music with myth and fairytale. From Druidic circles to taverns, carnivals, fey indie labels, fairy shops, storytelling guilds, castles and audiobook soundtracks, they’ve fostered links between folklore and eco-spirituality. Fey wishes Louisa✨, Reilly ✨ and Adrienne ✨
Three Australian Fairy Tale Society women feature in an exhibition/book/album presentation at Castlemaine State Festival in historic Buda House 19th March to 18th April: Reilly McCarron’s debut CD ‘Il était une fois’ (Once Upon A Time) is a soundtrack for Sophie Masson’s book ‘French Fairy Tales’. Lorena Carrington illustrated both. All three fey women are in our intercultural anthology ‘South of the Sun – Australian fairy tales for the 21st century’ due this Autumn.
a rhythm passed down from the so-called “spinsters” spinning their yarn and chanting their refrains
so that words and music were twined together to draw in the shared circle of story.
This is the magic we want to make this year, as we come together after being distanced for so long – the magic of shared performance and connection.
The real fairy tale magic is how the words of stories transform the audience by bringing us together so we invite you to share your own magic of
relating fairy tale, performer, audience, and venue.
What are the differences between written and performed stories?
How are the layers of meaning in fairy tales represented and expressed when the stories are staged?
How can we transform fairy tales for Australian audiences
so that performance reveals truth?
The Australian Fairy Tale Society was established to investigate, create, and communicate fairy tales from an Australian perspective. Our previous conferences have been on The Fairy Tale in Australia, Transformations, Into the Bush, So Many Mattresses, Gardens of Good and Evil, and Magic Mirrors: The Seen and the Unseen. Local Rings gather five times a year, and our Magic Mirrors gather by Zoom almost every month, to explore specific fairy tales like a book club for fairy tales. We have an irregular Ezine and will soon publish an original Anthology, South of the Sun: Australian Fairy Tales for the 21st Century.
We invite you to submit proposals for what you could present at our conference in a variety of forms, because diversity is one of the delights of an AFTS conference.
Please submit your proposal on our online form here by midnight 26 January 2021. Enquiries: austfairytales@gmail.com
We are looking for
Talks of no more than 25 minutes total including Q & A. It is possible that, if we receive many high quality submissions, we may invite several people to collaborate in a joint presentation. Please indicate if that would not be acceptable to you.
Case studies of a creative process of staging a fairy tale performance.
Panel discussions of no more than 25 minutes total including Q & A.
Performances of storytelling, puppetry, theatre, singing, music, dance, etc, of no more than 10 minutes performance (could be recorded for Zoom presentation) with an option for 5 minutes Q&A.
Workshops (eg art, writing, storytelling, puppetry, gardening, cake decorating etc) of no more than 30 minutes total including set up time.
Games or participative activities eg dancing, singing, of no more than 10 minutes.
Displays of your books, art, puppets, toys, costumes, etc to decorate Newtown Hall.
Stalls to sell your books, art, puppets, toys, costumes, etc
Launches – of your book, video game, performance
Feel free to contact us with a new idea. We want to celebrate your creativity not stifle it!
Some themes you could choose to explore:
Enchanting words
How fairy tales incorporate magic spells eg
Cinderella, Sleeping Beauty, The Little Mermaid, Rumpelstiltskin, The Juniper Tree, The Golem of Prague, Tatterhood, The Girl Who Pretended to be a Boy, The Snow Queen, Snow White, Aladdin
How magicians, witches, fairies, wizards use words to make magic.
How poetry, literature, and spells enchant Australians today.
Enchanting music
The significance of music, performance, and spells in fairy tales eg The Pied Piper of Hamelin and the magic harp in Jack and the Beanstalk.
How fairy tales have been adapted in:
musicals and pantomimes
operas and ballets eg The Nutcracker, Hansel and Gretel, Sleeping Beauty, La Cenerentola, The Snow Queen
How music can be used to interpret fairy tales today.
Enchanting performances
How fairy tales incorporate dance:
eg Cinderella, 12 Dancing Princesses, The Red Shoes, Ali Baba and the 40 Thieves, The Little Mermaid, Dancing with the Birch Fairy (Czech), The Little Bird Who Loved to Dance (Mali), The Fairy Dance (Irish).
How fairy tales have been adapted on stage and film eg Cinderella, The Red Shoes, Hans Christian Andersen, Disney films, Jim Henson’s The Storyteller, Shelley Duvall’s Faerie Tale Theatre, Once Upon a Time.
What has Australia achieved with screen or stage adaptations? Why are there no Australian fairy tale films?
What can performances communicate that written fairy tales can’t?
Enchanting communication
How can fairy tales be adapted to suit:
Particular contemporary Australian audiences, according to
– Cultural heritage
– Impairments and abilities – sensory, mobility, intellectual, language
– Ages
Particular venues and platforms: in person, recorded, online, outdoors, staged etc.
Particular performance forms eg films, tv, webseries, games, stage, live informal, radio, cd, podcast.
SUBMISSIONS
As always, our focus is on the Australian interpretation of fairy tales, particularly contemporary multicultural, diverse Australia.
Please submit your proposal on our online form here by midnight 26 January 2021. Enquiries: austfairytales@gmail.com