Registrations for Once & Future Tales are open!

Registrations have opened for our 2024 conference – register here for what is going to be a jam-packed two-day conference on August 3 & 4 in Newport.

And what better way to kick off the announcements of this year’s presenters – and the conference as a whole – than with our Keynote Speaker… Michael Earp!

Michael-Earp-Headshot-April-2022-2-1 (1)Michael Earp is a non-binary writer and bookseller living in Naarm (Melbourne, Australia). They are editor of, and contributor to Everything Under the Moon: Fairy tales in a queerer light, Kindred: 12 Queer #LoveOzYA Stories, Out-Side: Queer Words and Art from Regional Victoria and co-edited Avast! Pirate Stories From Transgender Authors with Alison Evans. Their writing has also appeared in Archer, The Age, PopMatters, The Victorian Writer, Aurealis and Underdog: #LoveOzYA Short Stories. For over twenty years they have worked between bookselling and publishing as a children’s and young adult specialist. Their role managing The Little Bookroom, the world’s oldest children’s bookstore saw them named ABA Bookseller of the year. A passionate advocate for LGBTQIA+ literature for young people, they established the #AusQueerYA Tumblr to catalogue all Australian young adult fiction containing queer content and characters. Representation of all people in the literature available to readers of all ages is the ethos that motivates their entire career. They have a Masters in Children’s Literature and a Teaching degree and previously served as committee chair for the #LoveOzYA campaign. Tea is the source of all their power.

In the coming weeks, plenty more presenters and other titbits and teasers will be announced. But don’t wait around, put August 3-4 in your diary and register now! We can’t welcome you to Newport for what will be a full-to-burst, exciting, diverse, and all-around fantastic conference. And don’t forget, if you can’t get to the whole weekend, don’t fret! There are single-day registrations and online attendee registrations.

Register now – and we’ll see you in August!

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Once & Future Tales: What was, what is… what if?

August 3-4, 2024 | Newport, Victoria       *Register here* Conference Artwork

Conference artwork by Roslyn Quinn

“Once upon a time” takes us into a place where time moves differently.

Fairy tales allow us to time travel to the past and scry into the future, uncovering lessons from what once was and paving the way for what might be. We can create conversations with our ancestors, premonitions for our descendants, and dreams of our here and now. Like King Arthur and Finn Macool, what tales lie waiting for our clarion call? And which, like Briar Rose, must be put to sleep for a spell?

Through folk and fairy tales we stitch together motif and memory, epics and anecdotes creating letters from the past to the future. But how do we hold these tales in our hearts here and now?

Do we tell stories because they have happened or because, maybe, they are yet to be?

“Time comes into it. Say it.        Say it. The universe is made of stories not of atoms.”

from The Speed of Darkness by Muriel Rukeyser

Call for Presentations!

A composite of images start on the left with a person with long hair in a long white dress riding a polar bear under a tree with frosted leaves; men in ancient clothes by the bedside of a dying king; a man approaching a tunnel with bright light at the end; one crowned man offering another crowned man a precious glass bottle while figures stand in the background; a man in a theatre watching volcanic lava flows on a screen; the classic image of a chimpanzee on all fours following an ape on two legs following increasingly more human figures, but different in that the humans are female; finishing with a rainbow and golden clouds over a grassy countryside devoid of people or buildings.

Once and Future Tales: What was, what is, … What if?
Australian Fairy Tale Society Conference 2024

Call for Presentations – Submissions now open here
EXTENSION – Submissions now close at midnight AEST on March 8th!
SUBMISSIONS HAVE NOW CLOSED

The Otherworld… Everywhen… Standing in the story-space…

“Once upon a time” takes us into a place where time moves differently.

Fairy tales allow us to time travel to the past and scry into the future, uncovering lessons from what once was and paving the way for what might be. We can create conversations with our ancestors, premonitions for our descendants, and dreams of our here and now. Like King Arthur and Finn Macool, what tales lie waiting for our clarion call? And which, like Briar Rose, must be put to sleep for a spell?

Through folk and fairy tales we stitch together motif and memory, epics and anecdotes creating letters from the past to the future. But how do we hold these tales in our hearts here and now?

Do we tell stories because they have happened or because, maybe, they are yet to be?

“Time comes into it.
  Say it.             Say it.
The universe is made of stories
not of atoms.”
from The Speed of Darkness by Muriel Rukeyser

We invite you to submit proposals for what you could present at our 10th annual conference, drawing from the creative invitation above. We encourage a variety of forms and ideas. Please submit your proposal on our online form here by midnight 8th March 2024 (extended from the initial date). Submissions are now closed.

The 2024 conference will be primarily held face-to-face, with some hybrid/online sessions.

As always our focus is on the Australian interpretation and confections to fairy tales, particularly contemporary diverse Australia. As AFTS Conference-goers delight in diversity, we are looking for –

  • Talks of no more than 25 minutes, with the option of 5 minutes Q&A
    • These could be case studies of projects with a fairy tale basis
    • Analysis of a particular tale or tale type
    • Histories, research, and more! Be creative!
  • Panel discussions of no more than 25 minutes, with the option of 5 minutes Q&A
  • Performances of no more than 10 minutes, with an option for 5 minutes’ Q&A
  • Displays of your books, art, puppets, toys, costumes, etc for sale, or to decorate our venue.
  • Stalls to sell your merchandise

All submissions will be responded to in early April, so that the full program can be announced mid-to-late-April.

The Australian Fairy Tale Society was established to investigate, create, and communicate fairy tales from an Australian perspective.  Local Rings gather five times a year, and our Magic Mirrors gather by Zoom almost every month, to explore specific fairy tales like a book club for fairy tales.

Some previous conference themes include The Fairy Tale in Australia, Transformations, Into the Bush, Gardens of Good and Evil, Magic Mirrors: The Seen and the Unseen, and Fairy Tales: Flesh or Fossil. We have an irregular Ezine and have published an original Anthology, South of the Sun: Australian Fairy Tales for the 21st Century. 

Queer Fairy Tales: Part 1

Do gay fairy tales exist? How about bisexual fairy tales? Trans fairy tales? Asexual fairy tales? If you did a survey of the most well-known fairy tales you’d answer no. But that doesn’t mean they don’t exist. My name is Em Chandler (she/they), I’m currently the Vice-President of the AFTS, and I adore the odd, dusty, and overlooked; especially when it comes to fairy tales. And I’m here to tell you queer fairy tales do exist.

“But if queer fairy tales exist, where are they? What are they?”, I hear you ask…

Well, that is another story for another day. And I promise I will tell it to you. Just wait until June.

For as long as there have been stories, storytellers have been reimagining and interpreting those same stories. That includes queer storytellers. As here in Victoria (my home state) it is soon to be Midsumma Festival – our annual LQBTQIA+ festival, let’s have a look at a fraction of the retellings made so far.

A book cover featuring a muscled merman with an orange tail carrying a sword, entitled Queer Folk Tales: A book of LGBTQ+ Stories by Kevin Walker.

English storyteller and author, Kevin Walker (he/him), has a delightful volume called Queer Folk Tales. Drawing from his own repertoire of stories, he adapts and reimagines queer folk tales, fairy tales, legends and myths. I love revisiting The Blue Rose in this collection. It’s a beautiful story about love and truly seeing someone, so I’m surprised this is the first queer version I have come across! If you know of others, let me know. (Though despite popular belief, the original is not Chinese but a 19th century literary fairy tale. But it’s been shared so much as a ‘folktale’ I wonder whether that really matters now…).

Book cover showing vines of yellow roses around an oval image of a winding river leading to mountains under a cloudy sky with a crescent moon. The book is entitled Everything Under the Moon: Fairy Tales in a Queerer Light, edited by Michael Earp and Illustrated by Kit Fox.

Everything Under the Moon is absolutely beautiful anthology only published last year. And best of all, over 50% of the authors are Australian! Edited by Michael Earp (they/them)*, like Queer Folk Tales above, some stories are set in once upon a time, others modern day, some even science fiction but each is delight to behold. I was kindly sent a review copy (which I received on behalf of the AFTS). A full review should appear in our next E-Zine, but don’t wait until then – I cannot recommend it enough. The book is physically beautiful, and the tales even more so. Picking one favourite is an impossible task, but… If The Shoe Fits by Lili Wilkinson and Moonfall by Alison Evans are still dancing in my head after the most recent reread. Wonders await no matter of these magic beans you chose.

A black and white book cover with triangular cut out edges, entitled Kissing the Witch by Emma Donoghue.

Kissing the Witch: Old Tales in New Skins is a collection of thirteen interconnected tales by Emma Donoghue (she/her) exploring Cinderella, Snow White, Beauty and the Beast and more with a decidedly queer and feminist lens. I adore that a character from each proceeding story becomes the narrator of the next in this collection. Each new fairy tale adding depth and complexity to the next, and vice versa.  

Book cover showing a girl with wild black hair in a blue balldress with butterflies in her hair. The title is Cinderella is Dead by Kalynn Bayron.

But we’re not limited to short stories, there’s novels too. Cinderella is Dead by Kalynn Bayron (she/her) takes the Cinderella tale we’re most familiar and says, “what if it was true, and what would the world look like 200 years later”? Dystopian, fast paced, and a wickedly good re-examination of the tale we all know. One thing I love especially is that Bayron hasn’t set out to say the Cinderella narrative is bad – but how the narrative can be twisted and used by those in power.

The Magic Fish by Trung Le Nguyen is a semi-autobiographical graphic novel. Tiến Phong is a second generation American Vietnamese teenager, and its through fairy tales he helps his mother learn English. But he’s also struggling to tell his mum about his sexuality. So, fairy tales step in once again. It’s a stunning narrative with gorgeous illustrations, and fantastic use of colour too.

A poster for Midsumma Festival, featuring a group of five exuberant singers, entitled The Story Keepers Feb 3-4.

There’s theatre too! The Story Keepers is a play/emerging children’s theatre ensemble that retell and perform overlooked fairy tales, especially queer fairy tales. Yes, this is a shameless plug, because I’m the director and writer! Three fairy tales, none of which you will have heard of, from Iceland, Germany, and Catalan, and all funny, enchanting and queer. Perfect for everyone 5+. If you’re Victoria based, we’ve got shows on February 3rd and 4th for Midsumma. Details and tickets here: https://www.midsumma.org.au/story-keepers. And while I’m doing a shameless plugs, I’ve written my own queer retelling of Cinderella – The Midnight Princess – and its been included in a new anthology, Out-Side: Queer Words & Art from Regional Victoria (It’s being launch on February 11th https://www.facebook.com/events/1104647510583022).

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This list is barely the start, a needle in a haystack of diverse, brilliant, wildly different approaches to rediscover, reimagine, and reclaim fairy tales for queer people. There are a thousand and one queer fairy tales to explore, and I strongly encourage that you do. If you want a helping hand delving into queer folktales shared and collected from the oral tradition, I’m happy to give it to you. In June.

Do you think you can wait??

* For more information about the editor of “Everything Under the Moon”, ‘Take me to your reader’ will be interviewing Michael Earp on 24 February 2024.

Welcome, Dr Michelle Smith – our 2023 keynote!

Dr Michelle Smith

Dr Michelle J. Smith is a Senior Lecturer in Literary Studies at Monash University, where she teaches fairy tales and children’s literature.

She has published research on Australian fairy tales and ‘Beauty and the Beast’ in the Victorian era, as well as guest-editing an issue of Marvels & Tales. Michelle is currently writing chapters about fairy tales in Australia, New Zealand and the Pacific for The Routledge Companion to Fairy Tales and The Cambridge History of Children’s Literature in English.

She is the author of three academic books and six edited collections on children’s literature and Victorian literature. Two co-edited books will be published in the coming year: Literary Cultures and the Nineteenth-Century Childhoods (Palgrave) and The Edinburgh History of Children’s Periodicals, for which she has written a chapter on fairy tales in St. Nicholas magazine.

Mermaids & Selkies

Our guest editor Rebecca-Anne Do Rozario says that

“You’ll find plenty of great reading material, from essays and articles to art, tales, poems, and songs. The theme has certainly inspired our members to shimmering brilliance!”

Exclusive to AFTS members, look out for the link in your inboxes.