Queer Fairy Tales: Part 1

Do gay fairy tales exist? How about bisexual fairy tales? Trans fairy tales? Asexual fairy tales? If you did a survey of the most well-known fairy tales you’d answer no. But that doesn’t mean they don’t exist. My name is Em Chandler (she/they), I’m currently the Vice-President of the AFTS, and I adore the odd, dusty, and overlooked; especially when it comes to fairy tales. And I’m here to tell you queer fairy tales do exist.

“But if queer fairy tales exist, where are they? What are they?”, I hear you ask…

Well, that is another story for another day. And I promise I will tell it to you. Just wait until June.

For as long as there have been stories, storytellers have been reimagining and interpreting those same stories. That includes queer storytellers. As here in Victoria (my home state) it is soon to be Midsumma Festival – our annual LQBTQIA+ festival, let’s have a look at a fraction of the retellings made so far.

A book cover featuring a muscled merman with an orange tail carrying a sword, entitled Queer Folk Tales: A book of LGBTQ+ Stories by Kevin Walker.

English storyteller and author, Kevin Walker (he/him), has a delightful volume called Queer Folk Tales. Drawing from his own repertoire of stories, he adapts and reimagines queer folk tales, fairy tales, legends and myths. I love revisiting The Blue Rose in this collection. It’s a beautiful story about love and truly seeing someone, so I’m surprised this is the first queer version I have come across! If you know of others, let me know. (Though despite popular belief, the original is not Chinese but a 19th century literary fairy tale. But it’s been shared so much as a ‘folktale’ I wonder whether that really matters now…).

Book cover showing vines of yellow roses around an oval image of a winding river leading to mountains under a cloudy sky with a crescent moon. The book is entitled Everything Under the Moon: Fairy Tales in a Queerer Light, edited by Michael Earp and Illustrated by Kit Fox.

Everything Under the Moon is absolutely beautiful anthology only published last year. And best of all, over 50% of the authors are Australian! Edited by Michael Earp (they/them)*, like Queer Folk Tales above, some stories are set in once upon a time, others modern day, some even science fiction but each is delight to behold. I was kindly sent a review copy (which I received on behalf of the AFTS). A full review should appear in our next E-Zine, but don’t wait until then – I cannot recommend it enough. The book is physically beautiful, and the tales even more so. Picking one favourite is an impossible task, but… If The Shoe Fits by Lili Wilkinson and Moonfall by Alison Evans are still dancing in my head after the most recent reread. Wonders await no matter of these magic beans you chose.

A black and white book cover with triangular cut out edges, entitled Kissing the Witch by Emma Donoghue.

Kissing the Witch: Old Tales in New Skins is a collection of thirteen interconnected tales by Emma Donoghue (she/her) exploring Cinderella, Snow White, Beauty and the Beast and more with a decidedly queer and feminist lens. I adore that a character from each proceeding story becomes the narrator of the next in this collection. Each new fairy tale adding depth and complexity to the next, and vice versa.  

Book cover showing a girl with wild black hair in a blue balldress with butterflies in her hair. The title is Cinderella is Dead by Kalynn Bayron.

But we’re not limited to short stories, there’s novels too. Cinderella is Dead by Kalynn Bayron (she/her) takes the Cinderella tale we’re most familiar and says, “what if it was true, and what would the world look like 200 years later”? Dystopian, fast paced, and a wickedly good re-examination of the tale we all know. One thing I love especially is that Bayron hasn’t set out to say the Cinderella narrative is bad – but how the narrative can be twisted and used by those in power.

The Magic Fish by Trung Le Nguyen is a semi-autobiographical graphic novel. Tiến Phong is a second generation American Vietnamese teenager, and its through fairy tales he helps his mother learn English. But he’s also struggling to tell his mum about his sexuality. So, fairy tales step in once again. It’s a stunning narrative with gorgeous illustrations, and fantastic use of colour too.

A poster for Midsumma Festival, featuring a group of five exuberant singers, entitled The Story Keepers Feb 3-4.

There’s theatre too! The Story Keepers is a play/emerging children’s theatre ensemble that retell and perform overlooked fairy tales, especially queer fairy tales. Yes, this is a shameless plug, because I’m the director and writer! Three fairy tales, none of which you will have heard of, from Iceland, Germany, and Catalan, and all funny, enchanting and queer. Perfect for everyone 5+. If you’re Victoria based, we’ve got shows on February 3rd and 4th for Midsumma. Details and tickets here: https://www.midsumma.org.au/story-keepers. And while I’m doing a shameless plugs, I’ve written my own queer retelling of Cinderella – The Midnight Princess – and its been included in a new anthology, Out-Side: Queer Words & Art from Regional Victoria (It’s being launch on February 11th https://www.facebook.com/events/1104647510583022).

***

This list is barely the start, a needle in a haystack of diverse, brilliant, wildly different approaches to rediscover, reimagine, and reclaim fairy tales for queer people. There are a thousand and one queer fairy tales to explore, and I strongly encourage that you do. If you want a helping hand delving into queer folktales shared and collected from the oral tradition, I’m happy to give it to you. In June.

Do you think you can wait??

* For more information about the editor of “Everything Under the Moon”, ‘Take me to your reader’ will be interviewing Michael Earp on 24 February 2024.

Welcome, Dr Michelle Smith – our 2023 keynote!

Dr Michelle Smith

Dr Michelle J. Smith is a Senior Lecturer in Literary Studies at Monash University, where she teaches fairy tales and children’s literature.

She has published research on Australian fairy tales and ‘Beauty and the Beast’ in the Victorian era, as well as guest-editing an issue of Marvels & Tales. Michelle is currently writing chapters about fairy tales in Australia, New Zealand and the Pacific for The Routledge Companion to Fairy Tales and The Cambridge History of Children’s Literature in English.

She is the author of three academic books and six edited collections on children’s literature and Victorian literature. Two co-edited books will be published in the coming year: Literary Cultures and the Nineteenth-Century Childhoods (Palgrave) and The Edinburgh History of Children’s Periodicals, for which she has written a chapter on fairy tales in St. Nicholas magazine.

Announcing Salonline!

Salonline is a new webseries telling the stories of our stories in a whole new way.

Watch the subversive fairy tale writer of the French Salons meet to discuss their scandalous lives and share their latest stories – and read the book, now available on Amazon and Apple Books.

The screen shows headshots of 3 women in elaborate wigs each speaking from salons featuring fine furnishings. On the top left is Charlotte Rose de Caumont de la Force smiling in a lime-shaded salon; on the top righ is Henriette-Julie de Castelnau du Murat looking mischievous in a pink-shaded salon, and on the bottom is Marie-Catherine d'Aulnoy beaming from a blue-shaded salon.

Created between August 2021 and September 2022, this original webseries communicates the stories of the origins of the fairy tale genre in the French Fairy Tale Salons of the late 17th century through the fictionalised dramatic lives of the most significant Salonnières: D’Aulnoy, Murat, and De La Force, and their performances of fairy tales they wrote.

Catch up with both well-known and little-known fairy tales and behind-the-scenes gossip on the Salonline AFTS You Tube channel.

Meet our Salonnières –

Against the lime-tinted background of a richly furnished salon, two ornate gilded frames hang. On the left is a photograph of a woman resting her arms on antique furniture, and on the right is a seventeenth century portrait of a woman resting her hands on a harpsichord. The text reads Starring Alyssa Curtayne as Charlotte Rose Caumont de la Force.

Alyssa Curtayne – storyteller, Ring Leader of the Perth Fairy Tale Ring, and academic, currently researching Charlotte Rose Caumont De La Force for her Master of Arts in Creative Writing at Deakin University. Alyssa re-enacts De La Force’s romantic life and performs some of her stories – Green and Blue, Fairer Than a Fairy, The Good Woman, and most famously, Persinette, the story which became known as Rapunzel.

Against the pink-tinted background of a richly furnished salon, two ornate gilded frames hang. On the left is a photograph of a woman in a garden, and on the right is a seventeenth century portrait of a woman in a garden. The text reads Starring Jo Henwood as Henriette-Julie de Murat.

Jo Henwood – storyteller, tour guide, and President, Ring Maiden and co-founder of the Australian Fairy Tale Society, is a museum theatre creative, and workshop leader on literature, history, creative writing, folklore, and storytelling. As Henriette-Julie de Murat, most scandalous of the scandalous Salonnières, she performs The Savage, The Pig King, The Isle of Magnificence, and The Turbot, re-telling these stories, just as Murat retold stories she found in Straparola.

Eliane Morel – writer, actor, producer, and singer of cabaret and opera, continues to perform her award-winning show ‘Disenchanted: A Cabaret of Twisted Fairy Tales’ which plays with the character of Marie Catherine Le Jumel de Barneville, the Baroness d’Aulnoy, the leader of the fairy tale writers. Eliane performs some D’Aulnoy stories – The Ram, The White Cat (which you might know from the ballet of Sleeping Beauty), and Belle-Belle, which the AFTS explored in September 2020.

The Salonline webseries, edited by our website Guardian, Kathy Smart, is already available on YouTube for free viewing.

And very soon, an eBook full of biographies, timelines, essays, and the retellings of these forgotten fairy tales, illustrated with art by Debra Phillips and with graphic design by Devahuti Chahlia, will be for sale from this website.

We hope you enjoy this magnificent fairy tale offering from the Australian Fairy Tale Society.

Three smiling women stand in front of a screen showing a salon with ornate furnishings with a banner saying Salonline above it. The women are in colourful casual clothes, with Alyssa Curtayne on the left, Eliane Morel in the middle, and Jo Henwood on the right.
Alyssa Curtayne, Eliane Morel, and Jo Henwood, stars of the Salonline series.

ONCE UPON A TIME: Fairy tales for our times

Six AFTS fairies from our book South of the Sun are guests of Bendigo Writers Festival!

Along with their own sessions, several are on a fairytale panel  ONCE UPON A TIME: Fairy tales for our times.

Claudia BarnettLorena Carrington and Sophie Masson with host Eugen Bacon Friday 7 May 4.30pm-5.30pm Capital Theatre $20 / $16 concession

Who tells fairy stories? And who gets to listen? The tales handed down through the generations are worked and reworked by inventive writers and new stories are added to the store. What’s their lasting appeal and why have they been so necessary to different cultures? Eugen Bacon is joined by Claudia Barnett, Lorena Carrington and Sophie Masson to bring us up to date with the fairy world.

We are also delighted to be celebrating with these authors the publication of South of the Sun: Australian Fairy Tales for the 21st Century.


Sophie Masson and Eugen Bacon present additional sessions Sat and/or Sun, Rachel Nightingale joins Eugen, and Carmel Bird presents on Saturday night. 

To read their profiles and/or book tickets: https://www.bendigowritersfestival.com.au/all-writers

Arts Law Centre beams national Case Study of AFTS Anthology!

We are thrilled to announce an unexpected honour. It involves the Australian Fairy Tale Society’s anthology, South of the Sun – Australian fairy tales for the 21st century. Our subcommittee liaised with the national Arts Law Centre to develop contracts for contributing authors and illustrators, as well as a publishing licence/service agreement with Serenity Press. ALC has a policy called Artists First, and is so pleased with our work – particularly as a not-for-profit group – that they requested to turn us into a Case Study!

After considering the pros and cons, we voted unanimously YES. Our chief illustrator, Lorena Carrington, graciously met their request to present our book’s front cover. This is excellent for our profile. It means AFTS effectively stands as an example for other Arts groups to follow. Law students can study us. Lawyers can refer to our work, and the ALC’s library may well carry the templates we developed together.

Here is a link to the Case Study:https://www.artslaw.com.au/case-studies/arts-law-assists-the-australian-fairy-tale-society/

2019 AFTS Award winner

2019 AFTS award ann

Congrats Dr Robyn Floyd on winning the 2019 Australian Fairy Tale Society’s national Fairy Tale Award! The prize acknowledges contributions to the fairy-tale field in Australia. Robyn is an expert on Australian fairy tales, exploring the history and impact of their publication, with her PhD thesis and blog, Early Australian Fairy Taleshttps://robynelainefloyd.blogspot.com/ 
She’s served on our Committee, presented seminars and frequently contributed to our Ezine. 

Welcome to the Australian Fairy Tale Society’s new website!

The AFTS sparked to life over a casual Facebook conversation between co-founders Reilly McCarron and Jo Henwood in July 2013. Since then the foundations of the society have been soundly built, we have a strong Founding Membership including internationally renowned fairy tale scholars Jack Zipes and Maria Tatar, a successful crowd funding campaign, and a wonderful inaugural conference to set us on our path of enchantment.

Our very first committee was elected at the conference on Monday 9th June, 2014, and I’d like to formally welcome Julie Mundy-Taylor as Vice President, Pam Blamey as Secretary, Danuta Raine as Treasurer, and Jo Henwood (co-founder), Belinda Calderone, and Thang D. Luong as committee members.

This website is a platform for fairy tale lovers across Australia, and beyond, to gather together around the ether-hearth and share in the magic of Australian fairy tales. It belongs to all of us so please feel free to contribute your fairy tale folklore, events, news, reviews, and comments.

Thanks for your interest and support.

From the depths of the forest,

Reilly McCarron.

AFTS President